Audio Esperanto was born in 1997 by the initiative of Francesco Farfa. Audio Esperanto was a necessity, an urgency: fighting the barriers, passing over the categorization. In the middle of 90s was logic to exist only if you belonged to a scene, to a particular kind of music, if you agreed its rules and followed a specific current. Farfa – always been an eclectism lover, as well as real keen on music at 360° - decided that was the moment to give a signal. To open a door. Audio Esperanto originated from here: a label aiming to be not absolutly label, but most of all an opportunity to remember the universal language of music. No cataloguing , no barriers, no impositions, no limits. A risky way. The only possible way for Farfa, an artist that has always lived as outsider compared to the movimenti, but that managed to acquire esteem, respect and results directly in the “field”, surpassing the expectations and risking the famous “ step more”. Audio is for everything that is sound, Esperanto is refered to the global idiom. Wide ideas, different and scrupolously selected proposals: no impositions from the market, but proposals to the market, only when the heart and the mind were ready to do it. Four EP in 2 years, great attention from the international media, that arrived to talk about the phonomenon Farfa – and flattering feed back from the major worldwide djs, from Danny Tenaglia to John Digweed; After 2 years the record label stops: Farfa moves to Barcelona , breathes new air, startes to collaborate with the label Serial Killer Vinyl, finds his own dimension and decides to “hibernate” his project. Audio Esperanto come back, after 10 years from its foundation, and 8 year from its birth. Many things happened during this period: Farfa travelled all trought the world as one of the most appreciated superstar dj, published his debut album and several ep and remix, but the circle seems to be closed: after a long period of commissions, openings, collaborations, in the last years it seems that the dangerous barriers that Audio Esperanto wanted to fight, are rising again. For this reason, in the period of the bigger recording industry crisis, we come back, with the same desire of challenging the conventions and of bringing cues and new life.